Don Bosco Degree College Golaghat

This paper explores the aesthetics of suffering as a central theme in the literary works of M.K. Binodini Devi, a pioneering feminist writer from Manipur. Set against the backdrop of colonial India, Binodini Devi‘s writings vividly depict the complex dimensions of suffering endured by women, embedding it within a broader narrative of cultural identity and resistance. The study examines how she re imagines suffering not as a passive condition but as an active, transformative force—an aesthetic and political act that challenges colonial domination and patriarchal structures. Drawing on feminist theory, postcolonial criticism, and performance studies, this research investigates Binodini Devi‘s creative articulation of suffering as a performative tool for reclaiming agency and preserving Manipuri cultural traditions under colonial rule. Her works, including The Princess and the Political Agent (2020), The Maharaja‘s Household (2014) and her reflections on Manipuri performing arts like Devotional Essence, Graceful and Subtle Movements, Traditional Costumes, Musical Accompaniment, Narrative and Theatre Traditions, Martial Influences etc are analyzed to illustrate how suffering is both performed and politicized within her narratives. The paper highlights her significant contribution to redefining the aesthetics of suffering, portraying it as a medium of empowerment and cultural resistance during a period of socio-political upheaval.

Keywords: Aesthetics, Suffering, Resistance, Colonial India, Performance Studies, Gender and Agency.